we could . But when the police notice that Plato still has the gun they shoot Plato down as he charges them, unaware that Jim had removed the bullets. Ray and Dean both placed a lot of emphasis on the realism of each moment in Rebel Without a Cause, and Deans Method acting meant he wanted to place himself in the most authentic situations possible. . Patent #5,734,916; #6,105,046. and the Buzz figures out that by calling Jim a chicken he can get a rise out of him; Jim discerns the real cause of why his family cannot stay in one place is predominantly because of his mother; and so forth. He is the classic hen-pecked son and husband of two dominant women. This also means it has been incorporated into the Dramatica Story Expert application itself as an easily referenced contextual example. (Stern 46). Ray and Stern both believed that the film should be shot like a B movie, with a grittier style that was perfectly suited to black-and-white, and Ray even began production by shooting this way. The movie is written and acted so ineptly, directed so sluggishly, that all names but one will be omitted here. The film was an attempt to portray the moral decay of American youth, critique parental style, and explore the differences and conflicts between generations. Warner Bros. went through several drafts of this early version of Rebel Without a Cause between from 1946 through 1949, and while the film never got off the ground during that period, the studio did at one point feel they were far enough along in the development process to consider a star for the project. The film helped launch the teenager to a new level of cultural awareness, and it would carry on for decades. Mother: Well, it doesnt matter anyhowbecause were moving. The movie featured James Dean in one of his final roles; he died one month before the release. Frank attempts to alleviate what he believes are Jims growing pains: In ten years youll look back on this and wish you were a kid again (Stern 54). Jim and Judy hide out in the deserted mansion that Plato had told Jim about. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. The young actor challenged the director to a fist fight, and Rays preference was to simply fire Hopper and keep him away from the set. As an example, he demands yes or no answers from his parents. The police officer shoots him, thinking his gun is loaded. In the years before Ray came aboard with his own pitch for The Blind Run, Rebel Without a Cause went through Warner Bros. development process, which included several writers taking a crack at adapting Lindners nonfiction book into an acceptable screenplay. Marlon Brandos The Wild One (1953) popularized juvenile delinquency in films, and Rebel Without a Cause was one of the better movies that dealt with the topic. Ray, hoping for a classic, timeless tone to his story, claimed Romeo and Julietthe best play written about juvenile delinquentsas an inspiration, while Stern would later recall that he considered the film to be in some ways a new take on Peter Pan, with the crumbling mansion standing in for Neverland, Jim standing in for Peter, Judy for Wendy, and Plato for The Lost Boys. James Dean was killed in a car accident at the age of 24 just a month before 'Rebel Without a Cause' was released, and that tragedy, along with his electric performance of teenage angst in the film, would seal his legend. Mom? So we fought and some cars were smashed, some people were really hurt, and then Nick said cut, and that was that, Jack Grinnage, who played Moose, recalled. . Youre not tearing me loose anymore. You watch it now, you know he had the hots for James Dean. (Stern 117). Coming Soon. (Stern 73), Once Jim can articulate his own theory on why his family is dysfunctional to his parents, he has done all he can do to try to reach them. As an example of the future as the forewarning for the consequence of doing, the chances Buzz takes and his disregard for authority forewarn the likelihood that he will always engage in actions that garner negative attention. . Coming Soon, Regal By creating an account, you agree to the can you answer me now? As the writing process for the Rebel Without a Cause screenplay (the studio ultimately insisted on that title instead of Rays preferred The Blind Run) got underway, Ray and Warner Bros. butted heads over who should collaborate with him on the project. Deans death made the film a must-see, but the making of the film made it a classic that endures today. Regal Shortly after Warner Bros. bought the rights to Lindners book, Jacques Le Mareschal produced a treatment, and over the next several years writers Peter Viertel, H.L. Franks inadequacy as a man and the mistakes he continues to make causes problems for Jim: She eats him alive and he takes it. Attempts to create a film version in the late 1940s eventually ended without a film or even a full script being produced. Mazzola gathered his friends and had them actually hassle Ray and Dean (who was not yet famous) as if they were really making a move on Athenian turf. Things you can do: it is extremely well-written, well-acted, well-directed, and very well-shot. To achieve this vision, he consulted with experts, pushed for realism at every turn, and found a collaborator in a rising young actor named James Dean. As an example of how he does not serve his sons needs, he relies on his experiences that are inappropriate as guidelines, and instead of dealing directly with Jims requests for immediate answers, assures his son once he gains his own experiences his present problems will seem insignificant. Eventually, once that number was whittled down to a few dozen, Ray pushed the authenticity even further, and asked the actors to start a fight as if they were really in a gang. In this film's case, it was the Interbellum Generation vs the Silent Generation. Once Frank is able to realize his own worth, especially as a parent to Jim, he can stand up for himself and his son. Related: Why David Duchovny's Trans Twin Peaks Character Denise Was So Groundbreaking. Jim: Youre not going to use me as an excuse again, Mom. Warner Bros. Jim is the new kid in town; he is intrigued with Judy, the girlfriend of the big wheel on campus, Buzz. Jim does not have the sense of security that a child in a functional family would have. (Stern 53), What his father is or is not doing causes problems; Jims fighting causes problems; Jim asks his father what action to take in a difficult situation. According to a Vanity Fair article, star James Dean instructed Mineo to Look at me the way I look at Natalie while the actors were filming a particularly intense scene between their characters. At school he meets a group of young toughs who challenge him to a game of chicken. Crunch, Goon, and Moose find the mansion. That actor was Marlon Brando, who was then enjoying Broadway success as Stanley Kowalski in A Streetcar Named Desire. He has no time for reminiscences; he needs immediate responses to his difficult questions, however, Frank is not able to give him that. However, the fact that Nicholas Ray managed to circumvent the restrictive Hays Code and produce a film thats widely recognized for its queer-coding is a feat that was both impressive and groundbreaking for the era in which Rebel Without A Cause was produced. Ray, alarmed that his star had been injured, called cut, and Dean was furious. You're almost there! Though it is his fighting that his parents use as an excuse to move around, he recognizes their inability to settle comfortably in one town is a part of a dysfunctional pattern that they are all guilty of: (Stern 58). (Stern 59-60); to Platos way of thinking, Jim is his father figure although they have only known each other briefly; Judy explains to Jim that she must treat him one way in front of the kids and another way when they are alone; Jim explains to the juvenile officer how his parents handle his transgressions: A rebellious young man with a troubled past comes to a new town, finding friends and enemies. Plato is inadvertently shot, and as Frank comforts Jim, the teen-ager is finally able to depend on his father for support. Omissions? Were all involved, Mom! (Stern 72). When he is reprimanded by a police officer he asks: Want me to imitate a stupid cop? (Stern 7); Buzz and Judy act like they are in love, when there is no real affection between the popular couple; and so forth. And man, existing alone, seems himself an episode of little consequence." The opening of Rebel Without a Cause introduces three upper middle class rebellious teens, Jim, Judy, and Plato, and their respective troubled family relationships. Additional Sources:Rebel Without a Cause: Defiant Innocents (2005), 2023 Minute Media - All Rights Reserved. However, Judy is the girlfriend of neighborhood tough, Buzz. . Copyright Fandango. The acerbic comment Franks mother makes after Jim explodes in anger in the police station Well you know who he takes after (Stern 14) is an indication of the kind of childhood Frank must have had. They steal Plato's address book and go off after Jim; Plato retrieves his mother's gun and leaves to warn Jim and Judy, finding them at the mansion. Some of its charm and sympathy endure to this day, but Rebel Without a Cause has aged in an undeniably awkward fashion, and the result is a film that simply doesn't hold up. Jim looks to his father to support him in his decision to go to the police about chickie race tragedy. Embracing all of these well-known story elements and creating a fresh take on this genre is really what this film does best. Franks anxieties concerning his family undermine what little confidence he has in himself. More that any other film, in fact, Rebel sympathizes with youth. I had a great time watching "Rebel Without a Cause." (Stern 16), The teen characters are concerned with what it means to be a teenager. It stopped. The events that occur in the present 24 hour period of Jims life, although filled with tragedy, give him hope for the future. . Because Jim has determined his castrating mother and grandmother are why his father is a chicken, he makes every effort not to turn out the same way. Why are we moving? By continuing, you agree to the Privacy Policy and (Stern 5). Frank draws on his own experiences and his basic drive to protect his son when Jim pleads with him for advice, telling him Nobody thanks you for sticking your neck out (Stern 72). As an example of how attention is focused on expectation in the objective story, Jim expects the same kind of amused reaction from the kids when he moos at the planetarium lecturers discussion of the Taurus bull that Buzz received when he imitated the Cancer crab; Judy anticipates the same kind of affection from her father as a teen that she had always received as a little girl; Jims family expects he will make friends if he can stay out of trouble; and so forth. Their other friend, a repressed gay character played by Sal Mineo, has parents who are absent entirely, with devastating results. Jim expresses his need to come clean to the police. Agreeing that they will never return to their respective homes, Jim suggests they visit an old deserted mansion Plato told him about. See production, box office & company info, not my favorite Nick Ray film by far, but it's worth viewing as a "essential" from the 50s, Histoire(s) du cinma: Une histoire seule. Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". Ray wanted to focus on disillusionment and anger among even teens from seemingly comfortable, stable homes. Shortly after moving to Los Angeles with his parents, 17-year-old Jim Stark (James Dean) enrolls at Dawson High School. Unlike most of the analysis found herewhich simply lists the unique individual story appreciationsthis in-depth study details the actual encoding for each structural item. In addition to the Storyform, you'll also find any additional analysis or media related to the story in question. This is where we see the first theme of the . Based on theories and materials developed by Melanie Anne Phillips and Chris Huntley. Things have been shed and a new start has been made. Jim quarrels with his father for not standing up for him and leaves his home. Jim ascertains that the twin forces that diminish his fathers manhood are his mother and paternal grandmother. Her name is Judy. Ranked 477th on list of the 500 greatest movies of all time in 2008. . However, Judy is the girlfriend of neighborhood tough, Buzz (Corey Allen). Moving to a new town with his family, Jim Stark must choose which clique to fit in with, and whom be believes to be the cool crowd, turns out to have much more to hide. For the Stark family to be a happy, functional family, Frank must overcome his weaknesses and become a real father to Jim; to be part of a peer group family, one must first become friends with the gang; and so forth. You better give me something fast (Stern 73). Sensing the topical appeal of the story, Warner Bros. purchased the rights to the book in early 1946, and it went through several writers (more on that in a moment) before going dormant. Read critic reviews. Jim gives Plato his opinion on when the world will end, just moments before Platos life ends. In the police station at the beginning of Rebel we see a March of Dimes poster on a pole. Author/co-author of numerous books about the cinema and is regarded as one of the foremost James Bond scholars. Progress in the objective story slows down when the adults dont worry enough about their teens. A benefit accrued by Jim and Judy on the way to the goal of being part of a functional family is their developing romance; Jim feels confident enough in the way things are going, such as his interest in Judy, to remark to his parents: You know something? Dennis Hopper made his debut in a brief role as a goon. Moffitt took issue with the underlying ideology of the film, however, especially its implication, as he saw it, that professional bureaucrats could better guide youth than the American family unit itself. Rebel Without A Cause is remembered as the movie that made James Dean an icon, but it also boasted some groundbreaking themes for its time - here's the classic film's gay subtext explained. All later UK releases were fully uncut and since 1986 the film has been PG rated. My poor uncle always struck me as a rebel without a cause, disappearing for weeks on end, getting drunk and alienating the family, and ending up in prison more times than I can count. Updates? Watch 'Rebel Without a Cause' | Anniversary Mashup, In celebration of the 65th anniversary of, The exterior of the mansion where the main characters confront each other with guns, as well as the empty pool in which they sit and discuss their lives, previously appeared in. Jim Stark is the new kid in town. Frank learns what it really means to be a father and Jim learns from Frank he did everything he could have done to protect his friend Plato. The father stares down at Jim for a moment. Perpetually sullen, Dawson High's careworn new student, Jim Stark, braces himself for yet another fresh start in a new town, after an unpleasant brush with the law earlier the same morning. This was the only film during Dean's lifetime in which he received top billing. That they are unable to articulate their desires leaves them to resort to their physicalitysuch as fightingwhich only undermines their aspirations to be taken seriously. Drama, Original Language: Frank intuitively discerns his son is in a dangerous predicament, and rushes to his side; Platos death gives Jim and Frank an insight into the value of life, which serves to accelerate the closeness between father and son: that jacket . Father: Whyd you get drunk? Judy: Why? For example, Jims parents are not concerned enough to realize he is not in his bed; Judys parents let her flounce out the door without knowing where she is going, when she had been picked up wandering aimlessly around only the night before; the police officer isnt concerned enough to bother with Jim when he comes in to relay his part in Buzzs death; and so forth. This 10-digit number is your confirmation number. When his mother, father and grandmother arrive at the police station to retrieve him, conflicts in Jim's family situation are . In 1954 Ray brought his idea, in the form of a treatment called The Blind Run, to Warner Bros., who bought the idea and ultimately asked Ray to merge it with their existing ownership of the Rebel Without a Cause book. . After Judy and her fathers emotionally charged confrontation, Judys parents discuss the changes in their daughter, as she transforms from a teen into a woman: As police approach, the gang flees, leaving Judy behind, but Jim patiently persuades her to leave with him and Plato. Ray wanted Clifford Odets to work on the script, but he was unavailable, and the studio instead hired Leon Uris, whose take on the project never quite meshed with what Ray was hoping for. Irving Shulman, Some things in the movie may not have aged that well, but it still pulses with youthful energy and impresses with the psychological complexity of its characters - and it should always be remembered for James Dean's iconic looks and performance that spoke to a generation. Frank comforts his grieving son, vowing to be a stronger father. 1h 51m. (283). In one of the most influential performances in movie history, James Dean plays Jim, the new kid in town whose loneliness, frustration and anger mirrored thos. Hes mine! As Plato progresses from pretending to have a relationship with the new kid, to truly becoming a friend of Jims, he comes up with the idea of Jim as his father: "Jimmy did most of the directing. The three teens band together because they share in the same feeling of alienation from their families, and in the tragedy that strikes during Jims initiation into the gang. Ray: But you dont think thats a solution. Judy is convinced that her father ignores her because she is no longer a little girl, so she dresses up in racy clothes to get attention, which only causes her father to call her a "dirty tramp". It was demolished just two years after filming.[10]. He referred to a "horrifying duel with switchblades", a "brutal scene", and a "shocking presentation" of a race in stolen automobiles. Jim later confides to his parents his involvement in the crash and considers turning himself in. Perhaps most importantly, though, both Ray and Stern drew on their own lives, and Stern in particular took inspiration from his own relationship with his parents. Former child star Natalie Wood she co-starred in the 1947 Christmas classic Miracle on 34th Street became a leading lady in 1955, co-starring in Rebel Without a Cause as Judy, a high school student who finds empathy, and ultimately love, for the misunderstood Jim. The scenes that follow depict these teens as they try to fit in with their peers and find the love they so desperately need from their families. Jim questions him about why, then, must they engage in a dangerous contest: Director Nicholas Ray noticed this trend, and became interested in the idea of a film about juvenile delinquents. Let us know if you have suggestions to improve this article (requires login). While on a night out with friends, she got into a car accident. When Rebel Without a Cause was released, it was a massive hit with young audiences. Although the distributors initially wanted an 'A' certificate they were told that further cuts would have to be made, so the above print was released as an 'X'. In 1990, Rebel Without a Cause was added to the Library of Congress's National Film Registry as being deemed "culturally, historically, and aesthetically significant".[5][6]. He's new in town - they moved because Jim had gotten himself into some kind of trouble - and he seems to be starting off where he left off when the police pick him up for being drunk on the street. When Carol declares they are moving again, Jim protests and pleads with Frank to stand up for him; but when Frank refuses, Jim attacks him in frustration, then storms off to the police station to confess, only to be turned away by the desk sergeant. Representation of LGBTQ characters teenage or otherwise in mainstream film and TV is a relatively new phenomenon and up until the late 1960s movies were subject to a strict set of guidelines called the Motion Picture Production Code. Tap "Sign me up" below to receive our weekly newsletter Corrections? Rebel Without a Cause is a fascinating peek into the life of the American teenager. . He pushes the officers aside shouting: Let him alone! The screen test is included on a 2006 special edition DVD of the 1951 film A Streetcar Named Desire. You know what kind of drunken brawls those parties turn intoits no place for kids. 2:57. Jim discusses his history of violence with Ray, however, his family tries to hush it up. Though Jim struggles to stay out of trouble, he forms a close bond with two equally disaffected classmates: Judy (played by Natalie Wood), a popular girl with a difficult home life, and outcast John Plato Crawford (Sal Mineo) who is bullied by his peers. . The plot of the film essentially traces Jim's desire as a teenage boy to become a respectable man, despite the fact that he seems to lack a suitable role model for doing so. When some of the teenagers go after Jim thinking he might go to the police, tragedy ensues. Then Stewart Stern came in, and though he may have initially been hired to collaborate with Shulman, later drafts became Sterns alone as his sensibility and Rays merged. In one of the most influential performances in movie history, James Dean plays Jim, the new kid in town whose loneliness, frustration and anger mirrored those of postwar teens -- and still reverberates more than 50 years later. Shes obsessed with dogs too so any films from the sad dog movie genre (Homeward Bound, Marley & Me, etc) make her ugly cry big time but shes still a cold-hearted horror movie fan, ok? The movie begins with Jim in a police station drunk and his parents arguing about his drinking. Franks lack of desire to change the circumstances of his family life undermines his efforts to be a strong parent to his son. The father comes and pushes them aside. The police, Jims parents, and Platos housekeeper have converged outside the planetarium. You crazy, crazy nut! Please refer to the appropriate style manual or other sources if you have any questions. The goal of common concern to all the objective characters is to be part of a happy, functional family, whether their own or as part of a peer group. From a historical perspective, however, and for the significance of James Dean, it is worth a viewing, at least once, if you want to know at least what the industry leaned towards in the 50s. Franks interactions with his wife and mother have given Jim the impression that his father is weak and a chicken. This has developed into a problem in their relationship, as Jim cannot respect his father, and, in his effort not to turn out like him he finds himself constantly fist fighting. 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